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Almost every major city has someone like Chris von
Sneidern: a die-hard true believer carrying the torch of power pop. Alas,
CvS, a fixture in the Bay Area since 1985, relocated to mythical Seattle
in 2002, but perhaps that's the reason for this fine retrospective of his
career spanning the years 1990 to '97. Not for him are the archetypal
jangly guitars or Who-derived power chords. Von Sneidern favors an
astutely layered, textured approach (he plays and sings almost everything)
recalling the Beatles and the Hollies circa '67/'68 -- and the Polyphonic
Spree today -- complete with comforting, diaphanous harmonies, melancholic
melodies, and quasi-baroque ambience (think "Eleanor Rigby,"
"Walk Away Renee"). The elegantly yearning, acoustic-driven
"One Side in Heaven" will elicit recollections of your first
rain-on-the-windowpane heartbreak, and the rousing "Sight &
Sound" is the best song the Monkees never did. Whereas a lot of retro
pop is initially catchy but easy to tire of, Headful reveals new
enchantments with successive listens.
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sfweekly.com | originally published: June 23,
2004
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