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+ADw-h2+AD4APA-span style+AD0-'font-family:+ACI-Microsoft Sans Serif+ACIAOw-color:blue'+AD4-Benno (Sweden)+ADw-o:p+AD4APA-/o:p+AD4APA-/span+AD4APA-/h2+AD4-
+ADw-h4+AD4APA-span style+AD0-'font-family:+ACI-Microsoft Sans Serif+ACIAOw-color:blue'+AD4-Spring 1998+ADw-o:p+AD4APA-/o:p+AD4APA-/span+AD4APA-/h4+AD4-
+ADw-h3+AD4APA-span style+AD0-'font-family:+ACI-Microsoft Sans Serif+ACIAOw-color:red'+AD4-CHRIS VON
SNEIDERN+ADw-br+AD4-
Wood +- Wire+ADw-br+AD4-
(Album, Mod Lang)+ADw-/span+AD4APA-span style+AD0-'font-size:10.0pt+ADs-mso-bidi-font-size:13.5pt+ADs-
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font-family:+ACI-Microsoft Sans Serif+ACI-'+AD4-To me it's almost unimaginable that Chris
von Sneidern still is no more than a cult hero in power pop circles - he used
to play in the legendary (well) pop combo+ADw-b+AD4- Flying Color+ADw-/b+AD4- - and not a best
selling artist all around the world. +ADw-o:p+AD4APA-/o:p+AD4APA-/span+AD4APA-/p+AD4-
+ADw-p style+AD0-'margin:0in+ADs-margin-bottom:.0001pt'+AD4APA-span style+AD0-'font-size:10.0pt+ADs-
mso-bidi-font-size:12.0pt+ADs-font-family:+ACI-Microsoft Sans Serif+ACI-'+AD4-The three records
preceding this one have all sounded like an updated and refreshed+ADw-b+AD4-
Raspberries+ADw-/b+AD4-, and every record has meant a refinement of a classic, yet
personal - one cannot miss it's von Sneidern one listens to - pop sound. +ADw-o:p+AD4APA-/o:p+AD4APA-/span+AD4APA-/p+AD4-
+ADw-p style+AD0-'margin:0in+ADs-margin-bottom:.0001pt'+AD4APA-span style+AD0-'font-size:10.0pt+ADs-
mso-bidi-font-size:12.0pt+ADs-font-family:+ACI-Microsoft Sans Serif+ACI-'+AD4-Yet, after 1996
years' brilliant +ACY-quot+ADs-Go+ACEAJg-quot+ADs- it felt as if von Sneidern had gone as far as
it was possible in this refinement. The risk that one more record in the same
style would feel like little more than repetition of a well-known sound was
pretty obvious. Listening to +ADw-b+AD4AJg-quot+ADs-Wood +- Wire+ACY-quot+ADsAPA-/b+AD4- it's very soon
clear, however, that also von Sneidern himself has been well aware of this risk
and easily avoids the trap.+ADw-o:p+AD4APA-/o:p+AD4APA-/span+AD4APA-/p+AD4-
+ADw-p style+AD0-'margin:0in+ADs-margin-bottom:.0001pt'+AD4APA-span style+AD0-'font-size:10.0pt+ADs-
mso-bidi-font-size:12.0pt+ADs-font-family:+ACI-Microsoft Sans Serif+ACI-'+AD4-This time it's
more far between the times when von Sneidern's overdubbed voice sings parts
with itself, it's fewer layers of sugar sweet guitars, more air in the as
always razor sharp production - it's a distinct take-off for a more varied von
Sneidern. A feeling that is fortified by the addition of (a discrete, yes, but none
the less) an organ that comes sneaking every now and then, lays out a few soft
tunes and then disappears. It's not until after some listenings I discover that
organ actually returns in every song and is much more than just a discrete
accessory on the side - it's much due to this organ that von Sneidern sounds
different than before (read: more fervent). +ADw-o:p+AD4APA-/o:p+AD4APA-/span+AD4APA-/p+AD4-
+ADw-p style+AD0-'margin:0in+ADs-margin-bottom:.0001pt'+AD4APA-span style+AD0-'font-size:10.0pt+ADs-
mso-bidi-font-size:12.0pt+ADs-font-family:+ACI-Microsoft Sans Serif+ACI-'+AD4-The organ gives
+ACY-quot+ADs-Wood And Wire+ACY-quot+ADs- - especially on some of the concluding tracks - a
spirit of its own and a feeling of both soul and, yes, gospel. (If I didn't
know better I'd say it was +ADw-b+AD4-Spooner Oldham+ADw-/b+AD4- behind that organ.) Before
recording +ACY-quot+ADs-Wood And Wire+ACY-quot+ADs- von Sneidern listened a lot to Dusty
Springfield's +ADw-b+AD4AJg-quot+ADs-Dusty In Memphis+ACY-quot+ADsAPA-/b+AD4-, and it shows.+ADw-o:p+AD4APA-/o:p+AD4APA-/span+AD4APA-/p+AD4-
+ADw-p style+AD0-'margin:0in+ADs-margin-bottom:.0001pt'+AD4APA-span style+AD0-'font-size:10.0pt+ADs-
mso-bidi-font-size:12.0pt+ADs-font-family:+ACI-Microsoft Sans Serif+ACI-'+AD4-Sometimes it
still sounds like Raspberries - listen to +ACY-quot+ADs-Like Me That Way+ACY-quot+ADs-, whose
intro reminds a bit of +ACY-quot+ADs-Nobody Knows+ACY-quot+ADs- - and although +ACY-quot+ADs-Got A Way
With Her+ACY-quot+ADs- could have been on +ADw-b+AD4-Ron Sexsmith's+ADw-/b+AD4- +ACY-quot+ADs-Other Songs+ACY-quot+ADs-
(one of 1997 year's best albums, by the way) +ACY-quot+ADs-Wood And Wire+ACY-quot+ADs- sounds
mostly like Chris von Sneidern. Not very dangerous or innovative, maybe, but
sympathetic, unaffected, unpretentious and honest. Discover+ACEAPA-o:p+AD4APA-/o:p+AD4APA-/span+AD4APA-/p+AD4-
+ADw-p style+AD0-'margin:0in+ADs-margin-bottom:.0001pt'+AD4APA-span style+AD0-'font-size:10.0pt+ADs-
mso-bidi-font-size:12.0pt+ADs-font-family:+ACI-Microsoft Sans Serif+ACI-'+AD4-Tommy Bergman+ADw-o:p+AD4APA-/o:p+AD4APA-/span+AD4APA-/p+AD4-
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There's a review (in Swedish) in the paper edition of the Swedish music
magazine Benno (also online in English at http://www.benno.com. No review
there, however) that I wrote (with reservations for the not so good English).+ADw-o:p+AD4APA-/o:p+AD4APA-/span+AD4APA-/p+AD4-
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mso-bidi-font-size:12.0pt+ADs-font-family:+ACI-Microsoft Sans Serif+ACI-'+AD4-Little Town Crier
Productions Phone: int8-663 40 06+ADw-br+AD4-
Strindbergsgatan 54 Fax: int8-663 40 07+ADw-br+AD4-
115 53 Stockholm e-mail: +ADw-a href+AD0AIg-mailto:littletowncrier+AEA-swipnet.se+ACIAPg-littletowncrier+AEA-swipnet.se+ADw-/a+AD4APA-br+AD4-
SWEDEN http://+ADw-a href+AD0AIg-http://www2.passagen.se/benno/ltc/+ACIAPg-www2.passagen.se/benno/ltc/+ADw-/a+AD4APA-br+AD4-
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